Showing posts with label Columbia Pictures. Show all posts
Showing posts with label Columbia Pictures. Show all posts

Tuesday, September 6, 2022

My Review* of Jerome Charyn's "Big Red: A Novel Starring Rita Hayworth and Orson Welles"

A Hollywood Tale

 

Jerome Charyn has given us a novelized biography of Rita Hayworth and her tempestuous marriage to Orson Welles. The novel is narrated by Rusty Redburn a sexually fluid tomboy from the Midwest newly arrived in Hollywood in 1943. Redburn gets a job in the bowels of Columbia Pictures and soon she hired by Harry Cohn, the big boss himself, to spy on Rita Hayworth his prize property. Hayworth is, of course, a sex goddess of 1940’s Hollywood who heats up the screen with her starring role in Gilda. Her “Put the Blame on Mame” number is a Hollywood classic. (See: https://www.youtube.com/watch?v=NY2IpSCV-Nk)

 

We learn that Hayworth was sexually abused by her father and her first husband made her available to more than a few producers. She meets Welles and falls in love with the “boy wonder” who co-wrote and directed the classic, “Citizen Kane.” There marriage is a stormy one of opposites, Welles “the genius” and Hayworth being minimally educated. As a result, when both were invited to the Roosevelt White House, Hayworth begs off out fear of being intellectually intimidated by Eleanor Roosevelt. Further Welles is on the way down, while Hayworth is on the way up. This being Hollywood, Welles cheats on Hayworth and Hayworth, as a consequence drinks to excess thereby cratering the marriage.

 

Nevertheless, the two do the surrealistic “The Lady from Shanghai” movie together and Welles goes on to play Harry Lime in “The Third Man.” The novel has lots of vignettes on the Hollywood of the 1940’s and shows the power of the studio bosses and the gossip columnists. As the 1940’s fade into the 1950’s the once proud Hollywood Boulevard scene turns seedy under the pressure from television and as the glitterati move further west out of Hollywood.

 

Charyn has authored an enjoyable book that puts you into the mindset of 1940’s Hollywood. My one small quibble is that he used the term “women of color, a phrase that would never have been used in the 1940’s.


* Amazon has yet again been late in posting my review.  Amazon just posted at URL:

A Hollywood Tale (amazon.com)


Thursday, September 15, 2016

My Amazon Review of James Andrew Miller's "Powerhouse: The Untold Story of Hollywood's Creative Artists Agency"

Hooray for Hollywood

Journalist James Andrew Miller has a written a way to long (752 pages in the print edition) and a way too hagiographic oral history of the Hollywood behemoth, Creative Artists Agency. It is filled with anecdotes about famous actors, writers and directors. However, by the end it reads like the promotional material an investment bank would use for an initial public offering, which, trust me, is coming. In their own words Powerhouse tells the story of five break away agents from the William Morris Agency to form Creative Artists in 1975. The lead players are Michael Ovitz, Ron Meyer and William Haber.

Ovitz, of course is the most famous, and is the driving force behind Creative Artists first 20 years. Although he didn’t invent packaging, where an agent puts together all of the key elements of a television series or motion picture, he certainly refined it to a high art. He is also a visionary with respect to technology by fully anticipating video streaming and the delivery content wirelessly.

The early days of Creative Artists are very reminiscent of my days at the old Salomon Brothers. It was an eat what you kill environment and everyone was hungry. In fact Ovitz acted as an investment banker with respect to the sale of Columbia Pictures to Sony and the sale of Universal to Matsushita.

However in 1995 Ovitz leaves for Disney which turns out to be a disaster for all of the parties involved and Haber leaves to run Universal. After they leave the “Young Turks” takeover and Creative Artists continues to thrive, but changes radically when they take in the private equity firm, TPG as a partner. In the 2000s Creative Artists branches out into sports management and continues the Ovitz initiatives in brand management.


The problems with the book are that it is too long and you don’t really hear from by the many people wronged by the agency.